Source: Washington Post
by Megan McArdle
“The short story used to be a viable commercial and artistic proposition, until television killed off the pulp magazines. By the 1980s, short stories were more of a loss leader for novel writers (actual or aspiring). Today, the form is mostly the province of tiny literary magazines, and its author usually survives on grants, gigs teaching creative writing and pedestrian day jobs. I’m afraid I expect the feature film to suffer a similar fate, because everything about the medium is optimized for theaters: its visual language, its lavish production budgets and even its length (long enough to be worth leaving the house for, not so long that your butt goes numb). In the future, storytelling will be optimized for streaming into our living rooms — unless, of course, it’s optimized for YouTube and TikTok, or some other technological medium I can’t yet imagine.” (12/06/25)